ET400
Fujicolor negative film
ETERNA 400
35mm Type 8583
16mm Type 8683
F-400 Image

Image from ETERNA 400 demonstration film:




ETERNA 400 Tungsten Balanced Film

Introducing new ETERNA 400. Remarkable shadow detail and exceptional ability to capture images that extend the boundaries of creative imaging. Fujifilm's advanced technologies give this new-generation motion picture film exceptionally fine grain and superb, smooth tonality, producing natural, attractive skin tones. In addition to extended latitude, this new E.I. 400-rated film also offers enhanced telecine characteristics and film scanning response, enabling it to deliver outstanding image quality under a variety of conditions. Break new ground in creative imaging with ETERNA 400.


  • Enhanced Shadow Detail - Fujifilm's proprietary Super Nano-structured Σ Grain Technology gives ETERNA 400 its enhanced ability to render shadow detail. This new film produces rich, deep blacks with a remarkable amount of detail.
  • Natural Colour Reproduction (atmospheric colour) - ETERNA 400 is characterised by a subtle palette with muted saturation. Skin tones in particular are smooth and natural.
  • Exceptionally Fine Grain - Super Nano-structured Σ Grain Technology achieves an optimum combination of high speed and ultra-fine grain, producing superb image quality in a variety of scenes and situations.
  • High-speed, with Smooth Gradation - ETERNA 400 produces a smooth low-contrast tonal scale, from bright, clean highlights to deep, dark shadows. Highlights do not blow out, and the soft tonality is preserved over a wide range of exposure conditions.
  • Excellent Sharpness - In addition to Super Nano-structured Σ Grain Technology, ETERNA 400 also incorporates Super-Efficient DIR-Coupler Technology, which boosts the interlayer effect for enhanced sharpness. Improved sharpness balance also reduces the amount of noise generated during the film scanning process.
  • Enhanced Telecine Characteristics - Extended linear response and exceptional colour balance minimise the need for colour adjustment during telecine transfer. The high volume of image data in the shadows facilitates digital processing, extending the creative boundaries of commercials and other TV work.